At Aalto University for the VICCA program, Dec. 10 @ 3:30-5pm, Helsinki. Location: Room Q201, Väre – Aalto ARTS.
Symposium organized by UKK Organisation for Artists and Curators (Denmark) on 29 Nov., 2018, 12:30-18:30 in Aarhus, DK. With: Jesse Darling, Angela Dimitrakaki, Nora N. Khan, and moderation by Lotte Løvholm. Presentation on “Perspectival Templating: On Instrumentality, Memetics and Synthesis”
Part of the Higher Seminar series at Konstfack, seminar on “Publicness and Extrastatehood” on 19 Nov. 2018, 14-17:00, Stockholm.
Digital Earth is a fellowship program for research and experimentation with and around the materiality and immateriality of the digital reality. Seminar “Cosmologies towards Horizonless Futures” presented online 13 Nov. 2018 16:00 CET.
Talk at SFU Woodwards in Vancouver, CA on 17 October, 2018 – 7pm.
Public talk at Knot Project Space 11 Oct. 2018 @18:00, as part of their Video in the Public Sphere lecture series.
Running from 10 Oct–17 Nov, 2018 at Knot Project Space, Ottawa, CA.
At Ottawa University, MFA program on 10 October, 2018.
Talk at University of Gothenburg (remote) on 25 Sept. 2018 @15:00, at the Department of Arts and Crafts.
Talk and panel discussion organized by InYoung Yeo on 15 Sept., 2018 in Seoul, for her A.I.MAGINE curatorial project. Talk on “AI and Cosmological Narration”.
“Xeno” speaks to the turn away from “what is” toward “what could be”: the (as yet) unknown, the alien—having been... More
Brazilian Portuguese version of “Xenophily and Computational Denaturalization” originally published on e-flux Architecture, 2018, translated as part of Luiza Crosman’s... More
A pocket colour manifesto for a new futuristic feminism. Injustice should not simply be accepted as “the way things are.”... More
In its extreme, unintended deployment, epistemic relativisation has contributed less to the desired multiplication of knowledges, a deeper sea of... More
Ultimately the work of platforms is to expose in at least two directions. But exposure to what, and according to... More
When politics (in both its imaginative and infra/-structural forms) is trapped in stagnation, it’s purchase on futurity is cancelled. This,... More
Diagrammatic writing. The perceptual / navigational consequences of the territory inhabited by humans due to the proliferation of scalar-technology (cultural, legal,... More
Although neurosis is understood as an ‘abnormal’ condition, it is, what we could call a realist disorder, insofar as it,... More
Our ‘Cold World’ of planetary-scaled complexity underwritten by logistics, computation, big-data and hyper capitalism signals not only the ‘apparent impossibility’... More
Intensive incompatibility marks our moment. The multiple crises we face, socially, economically, and ecologically (which are impossible to disentangle), are... More
Sat, Dec 2, 2017, 3pm at Haus der Kulturen der Welt, Berlin In the frame of Technosphere (2015-19) at Haus... More
For The Future of Demonstration: Vermoegen, a performance and broadcast event on 2 Nov. 2017 in Vienna (Reaktor Studio) –... More
Seminar and Public Forum co-organised with Antonia Majaca and Mohamad Salemy. Seminar on July 16. 2015 (10:00-21:00) at the University... More
Online Class co-taught with Diann Bauer with The New Centre for Research and Practice, May 25-June23, 2015. GUEST(S): Amanda Beech,... More
2013 Inclinations is a monthly speaker series at Or Gallery Berlin, hosting philosophers, artists, curators, and...
2011 Designed for The Labour Of The Multitude? The Political Economy Of Social Creativity Conference at the Warsaw Free/Slow University A poster announces a series of questions, making present the position of listening and inquiry as an invited member of the audience. Engagements to these questions shall proceed through a polyphonous text (forthcoming), based on the series of speeches and debates that play out in the conference, documenting the position of active listening / apprehension, without speaking.
2009 Edition of 250 custom gold-plated pins, Contract (3 X A4 white frames) In response to a invitation for an exhibition dedicated to collectors where no financial exchange was possible, a contract was created (a modified version of Seth Siegelaubs' 1971 contract "The artist's reserved rights transfer and sale agreement"), wherein all financial exchange agreements were replaced with those pertaining to pure belief in the current and future works of the artist. An edition of 250 gold-plated pins were created as a take-away item for potential 'collectors', denoting their virtual agreement with the terms of the contract. The work directly addresses the currency of the artist-personality which is implied in any sale of work, but is never explicitly drawn up within the legal framework.
In response the the Storefront Architecture and Art competition to redesign the White House, I opted to look at the... More
Published in IDEA Magazine, Romania Download as PDF Contract of Discord was a collective project with more than 20 of... More
Structures of Cohabitation: or the Death of Relational Aesthetics Initiated by Michael Baers and Patricia Reed Location: Program – Initiative... More