The Latest

More than this that is not yet: Theses on Militant Romanticism (or conversely so)

The presentation of an enumerated set of propositions at Archive Kabinett, Sunday April 28, 7:30pm – Berlin. The event is part of the series: Rhythms, Voices and Ties – a project by Federica Bueti.

Keep Taking it Apart

Group show at Note On, Berlin, opening March 28 @19Uhr

Inclinations

Inclinations is a monthly speaker series at Or Gallery Berlin, hosting philosophers, artists, curators, and…

Inclination #1 – David Kishik | How Many Artists Does It Take to Unscrew a Philosopher? (and vice versa)
Tuesday April 2, 2013 | 19:30

Conversation with Hito Steyerl in C Magazine 117

C Magazine 117 now out, March 2013!

Artists Space Talk

Economies of Common Infinitude Talk as part of the Intangible Economies project by Antonia Hirsch at Artists Space, New York. February 7 at 7pm. 55 Walker Street.

Artist’s Talk at MIT

February 5, 4pm in the Cube in the ACT department, Cambridge, US.

Spatial Poets / Critical Spatial Practice

A new book: Critical Spatial Practice out from Sternberg Press, eds M. Miessen and N. Hirsch

Intangible Economies

A new book edited by Antonia Hirsch now out. Contributors include: Melanie Gilligan, Juan A. Gaitàn, Hadley + Maxwell, Candice Hopkins, Olaf Nicolai, Patricia Reed, Monika Szewczyk and Jan Verwoert

Economies of Common Infinitude Talk @abc

Sunday Sept. 16 at abc (Berlin), 3 lectures from the Intangible Economies series (ed. A. Hirsch), will be presented starting at 14:00. Programm is here.

Between Walls and Windows

A new sound installation “Verses of a Nameless Land” opens at Haus der Kulturen der Welt on the rooftop, part of the Studio Miessen Project “19 Hours at the Kiosk”. Sept 1-30, 2012.


Biography

The contingency of normality is the focus of Reed’s artistic and textual practice. Normality can only be apprehended as a given reality through social consensus, and this consensus is inherently plastic, malleable. The play with the plasticity (potential) of the normal, both conceptually and materially, constitutes the foundation of her practice. Patricia Reed (1977, Ottawa) [...]