The Latest

Parcels for the Promised Land

Group exhibition and auction at Kunstbuero Berlin, 8. May - 12. June, 2009. Initiated by Shahram Entekhabi and Ruth Martius.

Intervention at Exhibition 211 New York

Freshly added intervention at the experimental exhibition project called ‘Exhibition’ at 211 Elizabeth St. NYC, April 20. Check out more about the project initiated by 5 artists / arts practitioners here.

Lecture and Workshop at Uni. Delaware

April 14, 10:00-12:00 & 13:00-15:00
Workshop with Fine Arts Students in the Digital Printmaking Lab, inaugural week called ‘Digital Hype’ on ‘Agonistic Collaboration’ and publication / discourse making.
16:00 Lecture and Artists’ Talk on Aesthetic Management, and setting out one’s own terms of artistic dissemination.
University of Delaware Fine Arts

C Magazine spring 2009

An article, Staging Shadows without Source, on the project of Claude Wampler produced for the 3rd Yokohama Triennale, included in latest C Magazine, Toronto, issue (101). View an excerpt of the article here…

Roundtable at Emily Carr

A discussion invitation, initiated by the student union at Emily Carr University, Woo Newspaper, Tuesday Feb. 24, 2009 at Emily Carr, Vancouver, 10am. Breakfast was served and delicious!

Contemporary Conversations at Western Front, Vancouver

A discussion initiated by Johan Lundh will take place on Monday February 23, 2009 at the Western Front Grand Luxe Theatre, 7 PM.
Lundh and Reed take the term “Aesthetic Management” as a point of departure for a conversation about interdisciplinary, collaborative practices.

Banff Centre Residency Jan - Feb 09

Back on home turf for a residency entitled: Roadshow - Travels of the Artist, Led by Ken Lum.
Banff Centre for the Arts

Through, Around and Against the Document - Maryam Jafri in Conversation with Patricia Reed

Published in Art Papers Magazine (Atlanta), January-February Issue

The Fillip Review

What is a Participatory Practice? published in the Fall 08 issue of The Fillip Review.
Conversation with David Goldenberg


Plurinaming / Polyphony

The practice of multiple naming began in 2001 as a by-product of physical displacement, and as an adaptive game in negotiating foreign cultural/linguistic contexts. The name is acquired after a period of acquaintanceship with a “local”, and as a gift, cannot be refused or negotiated. Names are not an alias, but rather a compounding of the original name, as such they are notated as follows:

Pia Fuchs deutsche Identität von Patricia Reed.