The Violence of Participation
2007
Drawings contributed to the Publication edited by Markus Miessen in parallel with the Biennale de Lyon. 2007.
Publication: Lukas & Sternberg Press.
2 Drawings prepared (as Pia Fuchs (dt. ID von Patricia Reed) & Rose Berthier (Identité française de Patricia Reed) responding to the call for contributions responding to our “Spatial Perception of Europe.”
Pneumatic Dome of Public Opinion: A Publicity stunt to ring in the signing of the Reform Treaty (Lisbon Treaty) (***note this treaty has not been signed), produced as Pia Fuchs (dt. ID von Patricia Reed)
Proposal for the PR campaign for the popularization of the Treaty on the Functioning of the Union, produced as Rose Berthier (Identité française de Patricia Reed)
Drawings contributed to the Installation / Publication of Markus Miessen & Ralf Pflugfelder for the Biennale de Lyon. 2007.
Publication: Lukas & Sternberg Press.
2 Drawings prepared (as Pia Fuchs (dt. ID von Patricia Reed) & Rose Berthier (Identité française de Patricia Reed) responding to the call for contributions responding to our “Spatial Perception of Europe.”
Biography
The contingency of normality is the focus of Reed’s artistic and textual practice. Normality can only be apprehended as a given reality through social consensus, and this consensus is inherently plastic, malleable. The play with the plasticity (potential) of the normal, both conceptually and materially, constitutes the foundation of her practice. Patricia Reed (1977, Ottawa) [...]