Delighted to join the team as a visiting Research Fellow for 2 months in Vienna at the Weibel Institute (part of the Universität für angewandte Kunst Wien). Looking forward to plenty of good conversations and time set aside for reading, fieldwork and writing between 19 Oct.-21 Dec., 2026.
Together with the crew from Noise Research Union, we’re hosting a multi-day workshop series at the Bidston Observatory Artistic Research Centre (BOARC) between 8-11 Oct., 2026 – Prenton, UK.
Delighted to accompany Ze Qiu (former student) for her Dutch-wide, award-winning artistic research thesis on 7 Oct., 2026 upon its publication release by Page Not Found, in den Haag, NL. All welcome for her presentation, film-screening and a conversation beginning at 18:30 based on research of desert imaginaries, environmental policy and inner Mongolian herder communities.
Presenting within the Data Epistemologies context at the Data–Worlds Symposium taking place at TU Dresden 28-30 Sept., 2026. Paper: Data Sensitivity, Modeling Worlds, and World Models will take place on 30 Sept. More conference details here.
Interviewed by Alex Gence for Issue, an online platform from HEAD Genève, as part of their Arts of the Commoning Dossier. Link.
Joining Beatrice M. Fazi for an evening of talks and conversations on 21 May 2026, as part of the Loops Series from the New Practice in Art and Technology programme, in Berlin.
Symposium is co-convened with Jan St. Werner (Folkwang UdK), and Brett Mommersteeg (Humboldt Universität Berlin) as part of the Sound Practice Research unit at Folkwang University for the Arts, Essen, DE. Dates: May 19-21 2026 at the SANAA Building, Essen. Lecture coming up, alongside multiple acoustic workshops, in partnership with Royal College of Art, EPFL Lausanne and UDK Berlin.
Presenting a talk on “Planetary Hope as Not-Yet Realism” on 2 May 2026, as part of the Theory Programme at the Donaufestival in Krems, AT. In cooperation with Kunstraum Niederoesterreich.
Discussion round with fellows at the Institute for Cultural Inquiry (ICI) on diagrammatic practice, in relation to the core research thread on Scale, 25 March 2026, 15:00-17:00 in Berlin.
As part of the Organismo: Art in Applied Critical Ecologies in the TBA21 Academy series, an Online Lecture in the framework of Grandeza Studio‘s Case Study on 25 February 2026, 18:00-19:30. Grandeza Studio are working with the case study: “Planetary Theatre of Tourism: Beyond the Performative Regimes of Unproductivity”, my lecture: “Mediant Narration and Planetary Conditions”. Registration Required.
Figuring Planetary Space explores the critical role of spatial thought in the formation of historical world views, and how Planetary... More
The need for another kind of story is distinct from the proliferation of diverse stories of the same kind. The... More
**Written initially as a lecture in July 2024 for the Deleuze and Guattari conference on Intelligence, Instituting, Archiving at TU... More
Informatics of Domination is an experimental collection addressing formations of power that manifest through technical systems and white capitalist patriarchy in... More
An altered world view is not merely the result of acquiring new information, but a question of how it reorganises... More
En nuestros días la necesidad de reimaginar lo planetario es una tarea urgente. La artista y teórica de vanguardia Patricia... More
Reality is never ‘what we might believe it to be’: it is always what we ought to have thought.[1] “Do... More
The speculative conditions of an afterlife have long been used to regulate ethical actions in the human living world. Drawing... More
Since there is no thinkable thought without a world to localize the possibility of thinking that thought, the overcoming of... More
Through the synthetic lens of the discrete and the continuous, it can be said that locations or sites not only... More
A City Curating Reader: Public Art Munich 2018 Eds.: Joanna Warsza and Patricia Reed What is public in public art?... More
Making & Breaking is an online journal published by the Autonomy research chair of Avans University’s Centre of Applied Research for... More
Sat, Dec 2, 2017, 3pm at Haus der Kulturen der Welt, Berlin In the frame of Technosphere (2015-19) at Haus... More
For The Future of Demonstration: Vermoegen, a performance and broadcast event on 2 Nov. 2017 in Vienna (Reaktor Studio) –... More
Seminar and Public Forum co-organised with Antonia Majaca and Mohamad Salemy. Seminar on July 16. 2015 (10:00-21:00) at the University... More
Online Class co-taught with Diann Bauer with The New Centre for Research and Practice, May 25-June23, 2015. GUEST(S): Amanda Beech,... More
2013 Inclinations is a monthly speaker series at Or Gallery Berlin, hosting philosophers, artists, curators, and...
2011 Designed for The Labour Of The Multitude? The Political Economy Of Social Creativity Conference at the Warsaw Free/Slow University A poster announces a series of questions, making present the position of listening and inquiry as an invited member of the audience. Engagements to these questions shall proceed through a polyphonous text (forthcoming), based on the series of speeches and debates that play out in the conference, documenting the position of active listening / apprehension, without speaking.
