As part of the Organismo: Art in Applied Critical Ecologies in the TBA21 Academy series, an Online Lecture in the framework of Grandeza Studio‘s Case Study on 25 February 2026, 18:00-19:30. Grandeza Studio are working with the case study: “Planetary Theatre of Tourism: Beyond the Performative Regimes of Unproductivity”, my lecture: “Mediant Narration and Planetary Conditions”. Registration Required.
Lecturing on the “Uninsurable Futures: The Politics of Anticipation” at Trust in Berlin on 18 Dec. at 19:30 (CET), also livestreaming on their Twitch Channel.
Happy to join a wonderful crew of people who founded the Noise Research Union, investigating noise in all its permutations, and scheming events to think through them collectively. Plenty of iterations in various locations and manifestations coming up. Founding members: Cécile Malaspina, Inigo Wilkins, Martina Raponi, Mattin, Miguel Prado and Sonia de Jager.
Lecture at the Bergen Assembly for the Futurological Congress: The Future of the Contact Zone. October 18–19, 2025 at the Kode Bergen Art Museum, Bergen, NO. The Bergen edition is conceived by Julieta Aranda and David Rych, with Mari Bastashevski, Katya Garcia Anton, Ed Keller, Adam Kleinman, Pierre Huyghe, Larissa Mendoza Straffon, Hito Steyerl, Martinus Suijkerbuijk, and Amir Yatziv.
Talk for the Future Fragments series, with this iteration during the Noorderlicht Biennial: Machine Entanglements, in Groningen, NL on Saturday Sept 6, 2025 at 15:00.
As part of the inaugural Stadtkuratorin Hamburg initiative, join us for an accompanying symposium on 22 June 2025 at Warburg-Haus, Hamburg. 12:00-17:30. Co-Curated with Joanna Warsza, presenting on Planetary Perspectives.
Keynote lecture for the Mining Affect Symposium on 26 May 2025, 14:00-18:00 in Thessaloniki, Greece. Organized as part of the European project ReSilence and the STARTS initiative
Organized by The Bartlett Faculty of the Built Environment, Territories of Co-Cognition is half-day symposium on 7 May 2025 in advance of the Venice Architecture Biennale, held at Ocean Space, Venice (IT). Curated by Roberto Bottazzi, Ilaria Di Carlo, Annarita Papeschi from The Bartlett School of Architecture, UCL in collaboration with TBA21–Academy. Additional speakers include: Luciana Parisi, Fiona Zisch, Julian Besems, Andrew Porter, Will Cavendish.
Group exhibition “La fabrique du Temps,” [Manufacturing Time] at Musée de La Poste (Paris), running from 26 March – 3 November 2025, curated by Céline Neveux. Perfect Present on display.
Together with Ewa Majewska, we will discuss Baruch Gottlieb’s new book Eco-Communism for a Most-Human Condition (Delere Press), at Diffrakt | zentrum für theoretische peripherie (Berlin), 26 March 2025 @ 19:30.
**Written initially as a lecture in July 2024 for the Deleuze and Guattari conference on Intelligence, Instituting, Archiving at TU... More
Informatics of Domination is an experimental collection addressing formations of power that manifest through technical systems and white capitalist patriarchy in... More
En nuestros días la necesidad de reimaginar lo planetario es una tarea urgente. La artista y teórica de vanguardia Patricia... More
Reality is never ‘what we might believe it to be’: it is always what we ought to have thought.[1] “Do... More
The speculative conditions of an afterlife have long been used to regulate ethical actions in the human living world. Drawing... More
Since there is no thinkable thought without a world to localize the possibility of thinking that thought, the overcoming of... More
Through the synthetic lens of the discrete and the continuous, it can be said that locations or sites not only... More
The propagation of sonic oscillations not only describes the origins of the Universe,[1] but the material force of sound itself.... More
A model may be a message,[1] yet it can only attain such semantic status because of its function as an... More
The topological turn in computing is elaborated both methodologically and philosophically via a treatment of inference proceeding from the notion... More
A City Curating Reader: Public Art Munich 2018 Eds.: Joanna Warsza and Patricia Reed What is public in public art?... More
Making & Breaking is an online journal published by the Autonomy research chair of Avans University’s Centre of Applied Research for... More
Sat, Dec 2, 2017, 3pm at Haus der Kulturen der Welt, Berlin In the frame of Technosphere (2015-19) at Haus... More
For The Future of Demonstration: Vermoegen, a performance and broadcast event on 2 Nov. 2017 in Vienna (Reaktor Studio) –... More
Seminar and Public Forum co-organised with Antonia Majaca and Mohamad Salemy. Seminar on July 16. 2015 (10:00-21:00) at the University... More
Online Class co-taught with Diann Bauer with The New Centre for Research and Practice, May 25-June23, 2015. GUEST(S): Amanda Beech,... More
2013 Inclinations is a monthly speaker series at Or Gallery Berlin, hosting philosophers, artists, curators, and...
2011 Designed for The Labour Of The Multitude? The Political Economy Of Social Creativity Conference at the Warsaw Free/Slow University A poster announces a series of questions, making present the position of listening and inquiry as an invited member of the audience. Engagements to these questions shall proceed through a polyphonous text (forthcoming), based on the series of speeches and debates that play out in the conference, documenting the position of active listening / apprehension, without speaking.
